22160. (Jacques Lu Cont [aka Stuart Price] ) FabricLive.09, April 2003
22161. (Killers) Hot Fuss
22162. (Dutchess & the Duke) Sunset / Sunrise Read more »
First-time listening for May, 2010
READING – MAY 2010
18771. [2] (Mark Twain) Tom Sawyer
18772. (Osbert Sitwell) Introduction to Five Novels by Ronald Firbank
18773. (Francis Grose) Ordinances of Richard II from Military antiquities [tr. Will McLean] Read more »
Paul Abraham’s operettas
It’s pretty obvious that the American musical comedies, on stage and film, owed a lot to the Austro-Hungarian operettas. But the influence also moved in the other direction. I have an old vinyl with highlights of two operettas by Paul Abraham, Viktoria und ihr Husar(1930) and Die Blume von Hawaii (1931), and they display a strong influence from Jazz and Broadway. They were very popular in their day, but are now rather obscure. The second even has an American setting (Hawaii) and features songs sung in German with a comically intended American accent, and has English phrases scattered about in the lyrics. Abraham, a Jew, fled Europe shortly after these successes, only to wind up in a New York mental hospital in 1946. He recovered, and lived until 1960. Both are pleasant listening, with the added interest of demonstrating the cross-fertilization of popular music between Europe and America between the two wars.
First-time listening for April, 2010
22083. (Johann Sebastian Bach) Cantata #20 “O Ewigkeit, du Donnerwort(I)”, bwv.20
22084. (Johann Sebastian Bach) Cantata #21 “Ich hatte viel Bekümmernis”, bwv.21
22085. (A Sunny Day In Glasgow) Ashes Grammar Read more »
READING – APRIL 2010
18696. (Steven Muhlberger) Jousts and Tournaments ― Charny and the Rules for Chivalric
. . . . . Sport in Fourteenth-Century France
18697. (Geoffroi de Charny) Demands pour la joute, le tournoi, et la guerre [manuscripts
. . . . . edited by Michael Anthony Taylor, tr. Steven Muhlberger]
18698. (C. William Harrison) Calling Dr. Death [story] Read more »
Beethoven’s Piano Concerto #1
None of Beethoven’s piano concertos have carved out any special place in my affections. I’m not sure why. They just don’t seem to move me like the symphonies, sonatas, or quartets do. Number One in C, Op.15 was actually composed in 1796–7, long after Number Two (1789). It has a few nice bits, but most of the time it sounds like warmed-over Hayden. Glen Gould composed cadenzas for it that brighten it up a bit.
A painting of Beethoven in 1803, seven years after composing the first piano concerto, shows him nothing like his later snarling, scowling image. In 1796, its probable date of composition, he would have still looked almost a teenager.
Jousts and Tournaments
18696. (Steven Muhlberger) Jousts and Tournaments ― Charny and the Rules for Chivalric Sport in Fourteenth-Century France
18697. (Geoffroi de Charny) Demands pour la joute, le tournoi, et la guerre [manuscripts edited by Michael Anthony Taylor, tr. Steven Muhlberger]
Rather than bug Steve for a copy, I put myself on a library waiting list for his study of the rules of jousts and tournaments of the Middle Ages. I was on the list for over a year, before it turned up, which shows that there is a significant audience for what appears, at first, to be an obscure topic. But I can see why, as the subject is dealt with in a logical, orderly fashion, and in his usual fine prose style. I particularly enjoyed the chapter in which he draws on his knowledge of the modern horsemanship scene to help imagine what the spotty historical record does not tell us. The original text of Geoffroi de Charny’s “Questions” in Middle French is included, with a translation by Steve.
FILMS JANUARY-MARCH 2010
(Gaup 1987) Ofelas
(Hughes 1999) Time Team: Ep.42 ― Kemerton, Worcestershire
(Semel 2006) House: Ep.33 ― Need to Know Read more »


