READING FEBRUARY 2009

17156. (David Leav­itt) The Lost Lan­guage of Cranes
17157. (Gov­ern­ment of Cana­da: Dept. of Finance) Notice of Ways and Means Motion to Imple­ment
. . . . . Cer­tain Pro­vi­sions of the Bud­get Tabled in Par­lia­ment on Jan­u­ary 27, 2009 and
. . . . . Relat­ed Fis­cal Mea­sures / Avis de motion de voies et moyens por­tant exé­cu­tion
. . . . . de cer­taines dis­po­si­tions du bud­get déposé au Par­lement le 27 jan­vi­er 2009
. . . . . et met­tant en oeu­vre des mesures fis­cales con­nex­es [report]
17158. (Jack­ie Grom) Tur­tles Island-Hopped Their Way Across a Warm Arc­tic [arti­cle]
17159. (Sara Coel­ho) A Rich His­to­ry of Choco­late in North Amer­i­ca [arti­cle]
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A Pleasure Awaits Me

The composer scowls menacingly over little children playing in Toronto's Sibelius Park

The com­pos­er scowls men­ac­ing­ly over lit­tle chil­dren play­ing in Toron­to’s Sibelius Park

Hur­ray! As my read­ers will know from con­stant ref­er­ences, I’m an ardent Sibelian… giv­en to mak­ing pil­grim­ages to his stat­ue in Toron­to’s Sibelius Park, for exam­ple. The Toron­to Sym­pho­ny Orches­tra will be per­form­ing all sev­en Sibelius sym­phonies, in sequence, in their com­ing sea­son, under guest con­duc­tor Thomas Daus­gaard. Daus­gaard is a Dan­ish con­duc­tor with a good rep­u­ta­tion, but I’ve heard none of his record­ings. The tests will be how he han­dles the finale of the Fifth Sym­pho­ny… the last bars must be timed per­fect­ly to get the effect I think Sibelius was after, and many of the record­ings I have screw it up com­plete­ly. But most of all, it’s the sub­tleties of the grim and ambigu­ous Fourth Sym­pho­ny that mat­ter to me. Only one mod­ern con­duc­tor, Col­in Davis, sat­is­fies me for this sym­pho­ny. If Daus­gaard comes even close I’ll be in ecstasy.

Prokofiev’s “Classical” Symphony

Sym­pho­ny No. 1 in D major, Op 25 was des­ig­nat­ed “Clas­si­cal Sym­pho­ny” by Prokofiev when it pre­miered in 1918, in Pet­ro­grad. “Neo-clas­si­cal” would be more appro­pri­ate. Prokofiev said it was a sym­pho­ny “that Haydn would com­pose if he lived today”. There are no quo­ta­tions from Haydn in the work, how­ev­er, and the melodies are unmis­tak­ably Prokofiev, with his usu­al sar­don­ic humour. The work must be hard for a con­duc­tor to inter­pret, because the three record­ings I have all feel rather dif­fer­ent. I have two vinyls: one by Jean Mar­ti­non, which is per­formed at break­neck speed, and an old Sovi­et record­ing by Gen­nady Rozhdestven­sky which is done a lit­tle more respect­ful­ly. On CD, I have Neeme Järvi’s set of the com­plete sym­phonies, with the Roy­al Scot­tish Nation­al Orches­tra. I find this one the most sat­is­fy­ing. Read more »

17199. (Jean Gaudemet) Les élections dans l’Église latine des origines au XVIè siècle

This a very good study of the use of elec­tive pro­ce­dures in the Church from Late Antiq­ui­ty to the end of the Mid­dle Ages. The book min­i­mizes inter­pre­ta­tion and analy­sis in favour of pro­vid­ing hun­dreds of texts with ref­er­ences to elec­tion, and let­ting them speak for them­selves. The author chimes in when it is nec­es­sary to explain how a par­tic­u­lar word or con­cept might have a dif­fer­ent mean­ing in a medieval con­text, or a reli­gious con­text. Over­all inter­pre­ta­tion, and that very cau­tious, is saved for the end of the book. Two basic groups of doc­u­ments are cov­ered: those relat­ing to elec­tion with­in the Cler­gy, and those relat­ing to elec­tion with­in the monas­tic sys­tem. The monas­tic doc­u­ments are of greater inter­est to a his­to­ri­an of democ­ra­cy. Read more »

Eclectic El Guincho

It would be hard to name a musi­cal influ­ence that isn’t to be found in the first two albums by Catalun­yan musi­cian Pablo Díaz-Reixa, aka El Guin­cho. His myspace page describes his music as “pop/tropical/club”, but that hard­ly begins to list the eclec­tic sources that he puts togeth­er on his Roland SP-404 sam­pling work­sta­tion. There’s a resem­blance to Ani­mal Col­lec­tive’s work, but it would­n’t be mis­tak­en for it. Noth­ing comes across as pon­der­ous­ly seri­ous — every piece is clear­ly designed to be fun to lis­ten to. It’s more “par­ty music” than “arty music”, even though it is tech­ni­cal­ly elab­o­rate. The first album, Folías (2007) has some nice bits, but Ale­gran­za! (2008) has the out­stand­ing work. I par­tic­u­lar­ly like the catchy, almost high-life “Fata Mor­gana”, “Kalise”, with its man­ic steel-band con­tin­uo, and most of all, the grand, many-lay­ered “Buenos Mat­ri­mo­nios Ahí Fuera”.

17175. (Ram Sharan Sharma) India’s Ancient Past

For a long time, the most read­er-friend­ly intro­duc­tion to the his­to­ry of ancient India (i.e. any­thing before the Gup­ta peri­od) has been the first vol­ume of Romi­la Tha­par’s His­to­ry of India. But that book was pub­lished back in 1966, and advances in archae­ol­o­gy and schol­ar­ship have out­dat­ed it. I would now rec­om­mend this book as a con­tem­po­rary sub­sti­tute. It’s a good place for some­one to start their read­ing on the sub­ject, though I sug­gest that they read it in con­junc­tion with Wikipedia entries on most of its main topics.

I have some prob­lems with Shar­ma’s work. He embraces some dubi­ous notions of “social evo­lu­tion”, he sees noth­ing of inter­est in the “trib­al” and non-Vedic or non-Dra­vid­i­an peo­ples of India except their inevitable con­ver­sion to “civ­i­liza­tion”, and he writes absolute­ly noth­ing about Indi­a’s inter­ac­tion with South­east Asia. This last stands in con­trast to his lengthy dis­cus­sions of Indi­an trade, polit­i­cal, and cul­tur­al inter­ac­tions with Cen­tral Asia, and even the Roman Empire. But impor­tant as these were, India nev­er export­ed much of its cul­ture to these areas, where­as in South­east Asia, Indi­an cul­ture was export­ed on a gigan­tic scale. Hin­du and Indo-Bud­dhist king­doms were set up in places as far as Viet­nam. Indi­a’s east­ward trade links were every bit, and per­haps more, impor­tant than its west­ward ones. Shar­ma hard­ly men­tions them. But despite these weak­ness­es, the book remains a good intro­duc­tion to a sub­ject with which every edu­cat­ed per­son in the world should have some basic familiarity.

Ali Farka Touré: The Source

I’m play­ing, for the umpteenth time, my favourite among Touré’s albums. I’ve writ­ten else­where about this aston­ish­ing musi­cian [Think­ing of Tim­buk­tu; Ali Far­ka Touré, Toumani Dia­baté In Per­fect Sync;Ali Far­ka Touré and Ry Cood­er Talk­ing Tim­buk­tu]. This album is a trib­ute to his beloved Niger Riv­er roots, with song lyrics jump­ing casu­al­ly between Bam­bara, Temazhek and French. Tracks like “Cinquante Six” and “Yen­na” demon­strate his absolute mas­tery of the gui­tar, with the per­fect tim­ing that made him a leg­end. My favourite track is the song “Dofana”, in which he wist­ful­ly evokes a small vil­lage, “a par­adise on Earth, only twen­ty kilo­me­tres from here”, threat­ened only by the “idio­cy of politi­cians”. Touré, on becom­ing a suc­cess­ful record­ing artist, eschewed the migra­tion to Paris or Lon­don, and instead became the may­or of just such a vil­lage. Most of the mon­ey he made went into sup­ply­ing it with clean water and electricity.

Image of the month:

09-02-01 BLOG Image of the month

First-time listening for January, 2009

19430. (Charles Ives) Sym­pho­ny #5 “Uni­verse Sym­pho­ny” [recon­struct­ed by Lar­ry Austin]
19431. (Scratch Per­verts) Fab­ri­cLive 22
19432. (Oasis) Def­i­nite­ly Maybe [Japan­ese release with two extra songs; orig­i­nal at 2447]
19433. (Char­lie Haden & the Lib­er­a­tion Music Orches­tra) Dream Keep­er
19434. (Deer­hunter) Cryp­tograms
19435. (Jean Sibelius) “Svar­ta Rosor [Black Ros­es]”, Op.36 #1 [s. Anne Sofie von Otter]
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READING JANUARY 2009

17078. (David Liss) A Con­spir­a­cy of Paper
17079. (Dar­rell Marke­witz) [in blogHam­mered Out Bits] Black­smithing Skills in the Viking Age
. . . . . [arti­cle]
17080. (Lithi­um Cola) [in blog Dai­ly Kos] Hits and Miss­es 2008 [arti­cle]
17081. (Lithi­um Cola) [in blog Dai­ly Kos] Of ICBMs, Sesame Street, and Arro­gance [arti­cle]
17082. (Lebanon Dai­ly Star) Beirut Seems to Have Upper Hand Against Extrem­ists [arti­cle]
17083. (Juan Cole) [in blog Informed Com­ment] Top Ten Good News Sto­ries in the Mus­lim
. . . . . World, 2008 {That Nobody Noticed} [arti­cle]
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