Tuesday, August 1, 2006 — Defending the Northwest Passage

The Northwest Passage seen from space.

The North­west Pas­sage seen from space.

It’s like a piz­za oven out there. Extreme heat and humid­i­ty, which is thank­ful­ly expect­ed to break tomor­row. Hard to find any­one who doubts glob­al warming.

Wash­ing­ton, of course, still pre­tends it isn’t hap­pen­ing. But it has aggres­sive­ly renewed its asser­tions that the North­west Pas­sage is not Cana­di­an ter­ri­to­r­i­al waters. Glob­al warm­ing means the ice-bound pas­sage is open­ing up, and will soon become eco­nom­i­cal­ly sig­nif­i­cant. Canada’s claim to sov­er­eign­ty over the chan­nel through its arc­tic arch­i­pel­ago will even­tu­al­ly become the main source of con­flict between the Unit­ed States and Cana­da. [see my arti­cle from last year on the relat­ed Hans Island controversy].

So I’m pleased that the CBC Nation­al News is being broad­cast, this week, from an ice-break­er going through the Pas­sage. It will draw some pub­lic atten­tion to this issue. Read more »

Image of the month: Rocher Percé

 Rocher Percé or Percé Rock was so named by Samuel de Champlain in 1607.  Forming the tip of the Gaspé  Peninsula, it marks the entrance to the Gulf of St. Lawrence.  The surrealist poet André Breton described it as "razor blade rising out of the water... a marvelous iceberg of moon stone"

Rocher Per­cé or Per­cé Rock was so named by Samuel de Cham­plain in 1607. Form­ing the tip of the Gaspé Penin­su­la, it marks the entrance to the Gulf of St. Lawrence. The sur­re­al­ist poet André Bre­ton described it as “a razor blade ris­ing out of the water… a mar­velous ice­berg of moon stone”

First-time listening for July, 2006

Sichuan Folk Song and Bal­lad, Vol.2:
. . . . 16130. (Cheng Yong-Ling) “Fly­ing Kites” [Sichuan Qingyin]
. . . . 16131. (Li Cun-Liang) “Plant­i­ng Cape Jas­mine Along the Wall” [Chongqing folk­song]
. . . . 16132. (Lian Zheng-Hua) “Plant­i­ng Paulow­n­ia” [Yib­in folk song]
. . . . 16133. (Li Su-Hua) “My Dili­gent Sis­ter” [Chuan­nan folk song]
. . . . 16134. (Lian Zheng-Hua) “What a Cru­el Crab” [Naxi folk song]
. . . . 16135. (Li Cun-Liang) “Broth­er Wang’s Tune” [Hanyuan folk song]
Read more »

READING – JULY 2006

14695. (N. A. M. Rodger) The Safe­guard of the Sea ― A Naval His­to­ry of Britain, Vol.1, 660‑1649
14696. (John Dille –ed.) Time Cap­sule 1925, A His­to­ry of the Year Con­densed From the Pages
. . . . . of Time
14697. (Jon George) Faces of Mist and Time
14698. (Ray­mond W. Bak­er) Capitalism’s Achilles Heel: Dirty Mon­ey and How to Renew the
. . . . . Free-Mar­ket Sys­tem
14699. (Jared Dia­mond) The Third Chim­panzee
14700. (Mervyn Peake) Gor­meng­hast
Read more »

14717. (Robert Swindells) No Angels

Swindells runs two sto­ries in par­al­lel. One is set in 19th cen­tury Lon­don, and tells of an orphan boy who encoun­ters Dr. John Snow, the founder of mod­ern epi­demi­ol­ogy, and dis­cov­erer of the cause of cholera. The sec­ond sto­ry is set in mod­ern times, and fol­lows a young girl who flees sex­ual abuse from her mother’s boyfriend, and lives in a Lon­don “squat”. Inter­spersed through these episodes are news­pa­per let­ters from a con­ser­v­a­tive crank, and the diaries of a nasty Vic­to­rian mag­is­trate. The boy’s nar­ra­tive is writ­ten in pho­netic tran­scrip­tion of his dialect, which may cause trou­ble for a Cana­dian or Amer­i­can read­er. Jug­gling these dis­parate ele­ments is a dif­fi­cult task, and the author pulls it off beau­ti­fully. The nov­el has an obvi­ous mes­sage: the strug­gle against igno­rance nev­er ceas­es. I was delight­ed that a youth nov­el like this draws atten­tion to Snow, who is one of my per­sonal heroes. The more atten­tion is paid to real­ly impor­tant his­tor­i­cal per­son­ages like Snow, the more peo­ple will under­stand the dif­fer­ence between them and the assort­ment of gang­sters, thugs, and con-men who are con­ven­tionally rep­re­sented as “great”.

(Kapur 1998) Elizabeth

06-07-28 VIEW (Kapur 1998) ElizabethWhy on earth was this nom­i­nat­ed for Best Pic­ture in its year? It’s glossy, and could be rea­son­ably enter­tain­ing to some­one who does not know what a trav­es­ty of his­to­ry it is, but it isn’t a par­tic­u­lar­ly out­stand­ing film. The con­test between Catholi­cism and Protes­tantism dur­ing the Ref­or­ma­tion (in which both sides were relent­less­ly fanat­i­cal and vicious), is still played out in Eng­lish film and lit­er­a­ture to this very day. This par­tic­u­lar film is pret­ty obvi­ous in its par­ti­san­ship: Protes­tantism (sym­bol­ized by Eliz­a­beth) is good and Catholi­cism is bad. In Eng­land, there is still a kind of anti-Catholic sen­ti­ment which is played out in car­toon form in films such as this. Every cliché is there. For­eign Catholic priests skulk around in the shad­ows with sin­is­ter, swirling robes, and look like demons. A French noble­man is a scream­ing fag, minc­ing about. Eliz­a­beth spouts anachro­nis­tic sen­ti­ments of self­less patri­o­tism and “indi­vid­ual con­science”. Her exe­cu­tions and per­se­cu­tions are explained away as unfor­tu­nate zeal by sub­or­di­nates, or under­stand­able reac­tions to treach­ery, or nec­es­sary steps in a grand plan to build the future glo­ries of Eng­land (cue the Elgar march­es). Essex doesn’t real­ly mind hav­ing his head chopped off — it’s all part of true love. Mary Queen of Scots is men­tioned, briefly, but there’s no fol­low up. Such side-tak­ing is com­mon enough, and there are pro-Catholic inter­pre­ta­tions that are every bit as sil­ly. But in this film, his­tor­i­cal facts are so gross­ly mis­rep­re­sent­ed that no amount of act­ing or cos­tume splen­dour can make it worth watch­ing with­out bel­ly laughs. Siskel & Ebert loved this film, but I don’t think they paid much atten­tion in high school his­to­ry class.

14716. (Bernard DeVoto) Mark Twain’s America

06-07-27 READ 14716. (Bernard DeVoto) Mark Twain’s AmericaBernard DeVo­to was was one of the lead­ing Mark Twain schol­ars, as well as being a his­to­rian of the Amer­i­can far west, a pas­sion­ate advo­cate of nature con­ser­va­tion, and a lead­ing advo­cate of civ­il lib­er­ties. In this curi­ous book, writ­ten in 1932, he devotes most of his ener­gy to crit­i­ciz­ing oth­er Mark Twain Schol­ars. The book is clever, acer­bic, and some­times down­right nasty, but enter­tains pre­cisely for those rea­sons. DeVo­to detest­ed the scholas­tic habits of reify­ing abstrac­tions (The Fron­tier, Puri­tanism, The Artist, Mate­ri­al­ism) and bas­ing grand explana­tory the­o­ries on triv­ial or dubi­ous evi­dence, or no evi­dence at all. Some­times his sar­casm grates on the read­er, but often it is just so good (that is to say, cru­el, like Scot­tish humour) that it brings up a smile from that lit­tle reser­voir of mal­ice that hides some­where in even the kind­est read­er. Here is his treat­ment of one well-known pun­dit: “He exhibits the amateur’s rev­er­ence for the prin­ci­ple of ambiva­lence. This, in his lay psy­cho-analy­sis, is a device for the rec­on­cil­i­a­tion of con­tra­dic­tory evi­dence. It explains that a fact can be both its lit­eral self and a sym­bol of its oppo­site, that one fact can prove a giv­en asser­tion on one page and a con­tra­dic­tory asser­tion on anoth­er, that the two facts which seem to indi­cate irrec­on­cil­able con­clu­sions real­ly mean one thing — the pre­ferred thing.” Boy, I wish I could write sar­casm of that dis­ti­lla­tion. DeVo­to could prob­a­bly take on six coral snakes and a griz­zlie before break­fast, then move on to seri­ous sar­casm after cof­fee. Psy­cho­an­a­lyt­ic crit­i­cism was the bab­ble of that time, but I’m sure he would make mince­meat of today’s equiv­a­lents (“post-mod­ernism”, for example).

14715. (Jung Chang) Mao, the Unknown Story

06-07-25 READ 14715. (Jung Chang) Mao, the Unknown StoryThere’s a com­mon belief, fos­tered in gen­tle soci­eties, where peo­ple expect their chil­dren to grow up, and famine nev­er stalks the land, that there is no such thing as absolute evil, and that dic­ta­tors are con­fused ide­al­ists who took a wrong turn. This, the first seri­ously researched and accu­rate biog­ra­phy of Mao Zedong, should dis­abuse any­one of such naiv­ité. I have spent most of my life­time study­ing the motives, ide­olo­gies, mech­a­nisms, and agents of slav­ery, but I was still not pre­pared for the con­tents of this book, which is one of the most impor­tant biogra­phies of mod­ern times. It is absolute­ly essen­tial that this book be in every library and school in the world, for Holo­caust Denial is the endem­ic sick­ness of our age, and the wor­ship of mass mur­der­ers the endem­ic sick­ness of all ages.

I remem­ber when col­lege cam­puses were adorned with posters of Mao, when Jean-Paul Sartre was pro­claim­ing that Mao’s “rev­o­lu­tion­ary vio­lence” was “pro­foundly moral”, when uni­ver­sity pro­fes­sors prat­tled the moron­ic, mega­lo­ma­niac slo­gans of Mao’s Lit­tle Red Book[“Pow­er comes from the muz­zle of a gun”] as if they were pro­found phi­los­o­phy, and a lawyer and fem­i­nist activist tried to slap me in the face when I told her that Mao was a geno­ci­dal crim­i­nal. I remem­ber when anoth­er stu­dent activist glee­fully showed me a pho­to­graph of one of Mao’s “projects” — thou­sands of ragged, starved, bru­tal­ized slaves dig­ging up earth with their bare hands while machine-gun-tot­ing Com­mu­nist Par­ty cadrés watched over them, smok­ing cig­a­rettes, barbed wire and wood­en watch­tow­ers clear­ly vis­i­ble in the back­ground. This, he explained, was the ide­al soci­ety, Utopia being con­structed for the com­mon good. This was not even the death camps or the lao­gai, mind you, of which no pic­tures where per­mit­ted to exist, but of one of the projects the Par­ty liked to pub­li­cize. And their cal­cu­la­tions were cor­rect. To the cam­pus intel­lec­tu­als in Paris, Berke­ley, or Toron­to, such pic­tures were appeal­ing. To any actu­al human being, they could not be any­thing but hor­ri­fy­ing and dis­gust­ing. Read more »

Thursday, July 20, 2006 — Loyal to Who? Loyal to What?

We con­tin­ue to swel­ter in a long heat­wave, alter­nat­ing with fierce thun­der­storms and tornados.

The news is dom­i­nat­ed by Lebanon. There are, appar­ent­ly, fifty thou­sand Cana­di­an cit­i­zens in Lebanon, and the Con­ser­v­a­tive gov­ern­ment in Cana­da seems to be doing an incom­pe­tent, chaot­ic job of evac­u­at­ing them. It is not the least of the cracks that are start­ing to appear in Stephen Harper’s administration.

Harper’s elec­tion last Christ­mas was one of the worst turns of events in Cana­di­an his­to­ry. The changes that are tak­ing place in the world, cur­rent­ly, are pre­cise­ly those that Harp­er is the least com­pe­tent to deal with. Read more »

(Menzies 1936) Things To Come

H. G. Wells par­tic­i­pat­ed direct­ly in this pio­neer Sci­ence Fic­tion film of 1936. The film is visu­al­ly fas­ci­nat­ing. No expense or effort was spared in it’s art direc­tion, to put across the 1930’s vision of the future, with it’s mov­ing side­walks and colos­sal shoul­der-pads. It is also imbued with the total­i­tar­i­an atmos­phere of that era. Wells envi­sions a world war com­ing (he places it in 1940), which drags on for decades until the world is reduced to bar­barism. Then a tech­no­crat­ic force of sci­en­tist-air­men takes over the world and builds it into a “utopia”. It is all white walls and glass tub­ing. One char­ac­ter explains that their sav­age ances­tors lived “half-out-doors” before they learned the supe­ri­or­i­ty of arti­fi­cial light. Final­ly, in 2036 AD, an expe­di­tion is sent to the Moon, despite the attempt of an “anti-progress” artist to sab­o­tage the project. Read more »