First-time listening for June, 2006

15845. (Frank Mills) The Poet and I
(Mike Old­fied) Work­ing Towards a Cli­max [per­son­al com­pi­la­tion by William Brei­d­ing]:
. . . . 15846. (Mike Old­field) “The Lake”
. . . . 15847. (Mike Old­field) “Crises”
. . . . [3478] (Mike Old­field) “QE2”
. . . . 15848. (Mike Old­field) “Music From the Bal­cony”
. . . . 15849. (Mike Old­field) “The Wind Chimes, Pt.2”
Blu­van Tues ― Sounds From Tuva [com­piled by Spi­der Robin­son]:
. . . . 15850. (Kon­gar-Ol Ondar) “Alash Khem (The Alash Riv­er)”
. . . . 15851. (Kon­gar-Ol Ondar & Paul “Earth­quake” Pena) “What You Talkin’ About?”
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READING – JUNE 2006

14673. (Antho­ny Bouch­er) The Case of the Sev­en Sneezes
14674. (Mar­shall McLuhan) The Guten­burg Galaxy
14675. (Ger­ald Pos­ner) Secrets of the King­dom ― The Inside Sto­ry of the Saudi‑U.S. Con­nec­tion
14676. (Evan­ge­line Wal­ton) The Chil­dren of Llyr
14677. (Nan­cy Phe­lan & Michael Volin) Sex and Yoga
14678. (Jared Dia­mond) Guns, Germs and Steel
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14694. (Shoma A. Chatterji) Subject: Cinema, Object: Woman, a Study of the Portrayal of Women in Indian Cinema

06-06-28 READ 14694. (Shoma A. Chatterji) Subject Cinema, Object Woman, a Study of the Portrayal of Women in Indian CinemaWho would have guessed that, as ear­ly as the 1930’s, there was an action hero­ine in Indi­an cin­ema, who did all her own stunts, and defied all the con­ven­tions of pas­sive and sim­per­ing fem­i­nin­ity, and played sec­ond fid­dle to no male? That’s the most remark­able infor­ma­tion in this study. Start­ing with Hunter­wali (1935), Fear­less Nadia starred in a series of extreme­ly pop­u­lar adven­ture films. “The female pro­tag­o­nist entered the scene on horse­back, with the clar­ion call of ‘Hey-y-y‑y’, hand raised defi­antly inn the air, rid­ing in with the pride and arro­gance that was more befit­ting of Dou­glas Fair­banks.” This remark­able actress had start­ed out as a steno-typ­ist, but, inclined to be plump, took danc­ing lessons. Then she joined a trav­el­ing cir­cus, and a bal­let troop. Her amaz­ing film stunts (all real) includ­ed hoist­ing strong men on her back, fight­ing four lions, swing­ing from chan­de­liers, leap­ing from cliffs into water­falls. She rode, swam, tum­bled, wres­tled and fenced her way through numer­ous films, often with a mask and a whip, until she was near­ly fifty.

(Cuesta 2001) L. I. E. [Long Island Expressway]

06-06-27 VIEW (Cuesta 2001) L. I. E. [Long Island Expressway]This is an intel­li­gent film, with char­ac­ters much more com­plex than you would expect. A youth in sub­ur­ban Long Island, liv­ing with a wid­owed father, escapes bore­dom through his friend­ship and attrac­tion to a class­mate. He is too naive and unpre­pared to con­sum­mate the rela­tion­ship, though every­one who knows them assumes they have. The oth­er boy is actu­ally pret­ty creepy, and leads him into com­mit­ting bur­glar­ies. Because of one such bur­glary, he finds him­self in an emo­tional tug-of-war with an old­er man. The sto­ry is a melo­drama, but it does not fol­low the expect­ed for­mu­las. Act­ing, pro­duc­tion val­ues, and direc­tion are all first-rate. Paul Dano gives an excel­lent lead performance.


14693. (Walter Mosley) 47

I’ve been remark­ing that some of the best writ­ten books, in recent times, have been pub­lished in the “juve­nile” mar­ket. This book proves my point. It’s a beau­ti­fully writ­ten, emo­tion­ally pow­er­ful, and high­ly imag­i­na­tive demon­stra­tion of what it means to be a slave. No top­ic is clos­er to my heart, and, frankly, I wish that I had writ­ten this book. “47” is a plan­ta­tion slave, who, in the 1830’s, encoun­ters an alien being who is strand­ed on earth. He tells his tale from the view­point of now, since he has become effec­tively immor­tal, and still retains the 14-year-old body. But the sci­ence fic­tion ele­ment of the sto­ry is under­played. Mosley con­cen­trates on mak­ing the read­er hear, taste, smell, and feel the real­ity of slav­ery. It’s a fine piece of work.

DJ Qmar

The world­wide Tamil dias­pora sup­ports a thriv­ing dance and club scene. Among the young Tamil DJs, none has been more inno­v­a­tive than Kumar Narayanasamy, bet­ter known as “DJ Qmar”. He was born in Jaffna, Sri Lan­ka, but grew up in Den­mark, where he is still based. I have both his Tamil Vibra­tions albums, which you can often hear in my neigh­bour­hood (the old­est Tamil neigh­bour­hood in Toron­to). There are no lame remix­es of Amer­i­can rap on these gems! These mix­es are bold. http://www.tamilstar.dk/djqmar

(von Báky 1943) Münchausen [Murnau Foundation 114 minute restored version]

In 1943, Germany’s UFAstu­dios spent a gigan­tic amount of mon­ey to cre­ate a film ver­sion of the absurd fan­tasy,Adven­tures of Mun­chaussen, which is loose­ly based on the extrav­a­gant “whop­pers” attrib­uted to the real life Karl Friedrich Hierony­mus, Frei­herr von Münch­hausen (1720 –1797). The film was in colour (at that time a very expen­sive process) and the spe­cial effects where the best pos­si­ble at the time. Read­ers of this site are prob­a­bly famil­iar with the fair­ly recent Ter­ry Gilliam ver­sion of the sto­ry. The von Báky film is very good. The scenes that take place on the Moon are par­tic­u­larly charm­ing. 06-06-18 VIEW (von Báky 1943) Münchausen [Murnau Foundation 114 minute restored version]One of the odd­est things about the film is that there were sev­eral Black actors in it. What on earth was it like to be a Black actor in Berlin in 1943? What became of them? Sure­ly there is a fas­ci­nat­ing doc­u­men­tary that could be made on this subject.

(J. R. R. Tolkien) Tree and Leaf

The first item, the essay “On Fairy Sto­ries”, is essen­tial read­ing for any­one with a seri­ous inter­est in Tolkien. It makes clear exact­ly what he was doing, and why. It was writ­ten dur­ing the height of the dom­i­nant posi­tion of “real­ism” in lit­er­a­ture, when any­thing even remote­ly imag­i­na­tive was con­sid­ered trash by lit­er­ary peo­ple. Tolkien was par­tic­u­larly annoyed by those who saw fan­tasy, espe­cially the par­tic­u­lar kind of fan­tasy that he called “fairy-sto­ry”, as exclu­sively for chil­dren. He writes:

Among those who still have enough wis­dom not to think fairy sto­ries per­ni­cious, the com­mon opin­ion seems to be that there is a nat­ural con­nex­ion between the minds of chil­dren and fairy-sto­ries, of the same order as the con­nex­ion between children’s bod­ies and milk. I think this is an error; at best an error of false sen­ti­ment, and one that is there­fore most often made by those who, for what­ever pri­vate rea­sons (such as child­less­ness), tend to think of chil­dren as a spe­cial kind of crea­ture, almost a dif­fer­ent race, rather than as nor­mal, if imma­ture, mem­bers of a par­tic­u­lar fam­ily, and of the human fam­ily at large. Actu­ally, the asso­ci­a­tion of chil­dren and fairy-sto­ries is an acci­dent of our domes­tic his­tory. Fairy sto­ries have in the mod­ern world been rel­e­gated to the ‘nurs­ery’, as shab­by or old-fash­ioned fur­ni­ture is rel­e­gated to the play-room, pri­mar­ily because adults do not want it, and do not mind if it is misused.

Touché. I can still remem­ber when that atti­tude was gospel, when a good sci­ence fic­tion writer like Kurt Von­negut had to vocif­er­ously deny that he wrote SFso he could be tak­en seri­ously, and the ency­clo­pe­dias described H. G. Wells as the author of Tono Bun­gay, Mr. Brit­tling Sees It Through, and, embarrass­ingly, “some sci­en­tific romances”.

con­tents:

14691. [2] (J. R. R. Tolkien) On Fairy Sto­ries
14692. [3] (J. R. R. Tolkien) Leaf by Niggle

Jesse Cook

06-06-10 LISTN Jesse CookNue­va Fla­mencois a style of gui­tar music that incor­po­rates jazz, latin pop, and mid­dle-east­ern ele­ments into tra­di­tional fla­menco. Jesse Cook, born in France of Cana­dian par­ents, and now oper­at­ing out of Toron­to, has been a superb prac­titioner of this style for a decade. The only one of his sev­en albums I have is Nomad(2003), which fea­tures won­der­ful vocals by the Egypt­ian singer Maryem Tol­lar on the song “Qaduk­ka-l-Mayyas”, per­haps the best item. The album incor­po­rates so many world influ­ences, with guest con­tri­bu­tions from Hos­sam Ramzy, Flo­ra Purim, the Afro Celts, and even the BoDeans (!), that the fla­menco ele­ment is some­times near­ly invis­i­ble. Cook is such a fine gui­tarist that he feels no need to be a con­stant cen­ter of atten­tion –— in sev­eral of the tracks he pro­vides only a mod­est accom­pa­ni­ment while oth­er mem­bers of the large ensem­ble take the spot­light. But when he does move into the spot­light, his gui­tar work is stun­ning, and his vocals pleas­ant. http://www.jessecook.com

14682. (Tim Wynne-Jones) The Knot

I’ve enthused before about the work of Tim Wynne-Jones. This is an ear­ly nov­el of his. His writ­ing was not quite as sharp as it has since become, but this nov­el still held my atten­tion. In part, it’s because the sto­ry (a sort of fusion of Charles Dick­ens and Ray­mond Chan­dler) focus­es on my own neig­bour­hood in Toron­to, and con­cerns the under­side of that neigh­bour­hood at the very time when I was myself part of that under­side. I rec­og­nize and remem­ber almost every phys­i­cal fea­ture in the book. Some of the places, build­ings, and social con­fig­u­ra­tions no longer exist, but read­ing this nov­el brought them back to me with the inten­sity of the smell of piss in a dark city alley.