FILMSMAY 2018

(Yea­worth 1958) The Blob
(Cross­land 2010) Mur­doch Mys­ter­ies: Ep.30 ― Rich Boy, Poor Boy
(Meza-León 2017) Rick and Morty: Ep.30 ― The ABC’s of Beth
(Dein 1960) The Leech Woman [Mys­tery Sci­ence The­atre version]
(May 1976) Mikey and Nicky
(Berke 1958) The Lost Missile
Read more »

First-time listening for May 2018

25081. (Arthur Sul­li­van) Suite from the Inci­den­tal Music to The Mer­ry Wives of Windsor
25082. (Afghan Whigs) Big Top Halloween
25083. (Gioacchi­no Rossi­ni) Armi­da [com­plete opera; d. Ser­afin; Callas, Albanese, Filippeschi]
25084. (Sleater-Kin­ney) The Hot Rock
Read more »

READINGMAY 2018

23908. (Judea Pearl) Causal­i­ty ― Mod­els, Rea­son­ing, and Infer­ence [2nd ed.]
23909. (Chris Loen­dorf, David Jacobs & Glen E. Rice) Pet­ro­glyphs, Grind­ing Slicks, and
. . . . . Cupules of the Rock Island Com­ples: U:8:3e92/862 [arti­cle]
23910. (Steve Muhlberg­er) [in blog Muhlberg­er’s World His­to­ry] When Does Any­one Ever
. . . . . Appol­o­gize Like This? [arti­cle]
Read more »

Third Meditation on Democracy [written Saturday, August 18, 2007] REPUBLISHED

https _s-media-cache-ak0.pinimg.com_736x_ee_59_33_ee593300e425c02784549e0228c025e1In the begin­ning years of this blog, I pub­lished a series of arti­cles called “Med­i­ta­tions on Democ­racy and Dic­ta­tor­ship” which are still reg­u­larly read today, and have had some influ­ence. They still elic­it inquiries from remote cor­ners of the globe. They are now buried in the back pages of the blog, so I’m mov­ing them up the chrono­log­i­cal counter so they can have anoth­er round of vis­i­bil­ity, espe­cially (I hope) with younger read­ers. I am re-post­ing them in their orig­i­nal sequence over part of 2018. Some ref­er­ences in these “med­i­ta­tions” will date them to 2007–2008, when they were writ­ten. But I will leave them un-retouched, though I may occa­sion­ally append some ret­ro­spec­tive notes. Most­ly, they deal with abstract issues that do not need updating.


A convivial gathering of men and women in ancient Pakistan. The style of art, known Gandharan, drew on influences from India, Persia and Greece.

A con­vivial gath­er­ing of men and women in ancient Pak­istan, dur­ing the Gand­ha­ran era, a time of intel­lec­tu­al and artis­tic syn­the­sis. Gand­ha­ran art, dra­ma and phi­los­o­phy drew on influ­ences from India, Per­sia and Greece.

West­ern Europe, and lands cul­tur­al­ly derived from it, have made some rel­a­tive­ly suc­cess­ful approx­i­ma­tions of democ­ra­cy and civ­il soci­ety, and com­bined them with notice­able pros­per­i­ty. Peo­ple both inside and out­side this favoured zone won­der why, and they have often sought the answer in two par­tic­u­lar areas: reli­gious tra­di­tions, and the dra­mat­ic intel­lec­tu­al era called “the Enlight­en­ment”. As some­one who has writ­ten about the uni­ver­sal aspects of democ­ra­cy, I’ve often felt some annoy­ance at what I con­sid­er parochial views of his­to­ry, and dubi­ous ideas of causal­i­ty. I feel great sym­pa­thy for peo­ple out­side the favoured zone, who are hope­ful that they can have a demo­c­ra­t­ic future, but are dis­com­fit­ed by the “sec­ond-banana” sta­tus that it seems to imply for their cul­tur­al her­itage. This is espe­cial­ly true in the Islam­ic world, where past cul­tur­al glo­ries and present embar­rass­ments com­bine to make the search for demo­c­ra­t­ic reform a touchy sub­ject. I think that an exces­sive­ly car­toon­ish view of the Enlight­en­ment, and of the rela­tion­ship between reli­gion and democ­ra­cy, is part of the prob­lem. Read more »

Image of the Month: Canadian Women’s Army Corps posed photo of Mary Greyeyes and Harry Ball, 1942.

18-05-31 BLOG 1 Mary GreyeyesThis pho­to­graph hung for decades in the Nation­al War Muse­um in Ottawa with its sub­jects labeled “uniden­ti­fied”, until Mary’s daugh­ter-in-law learned of its exis­tence in 1995. The pho­to was tak­en to encour­age more women to join the army, and its staged “Indi­an bless­ing” prov­ing pop­u­lar, it was wide­ly reprint­ed dur­ing the war, then forgotten.

Mary Greyeyes was from Muskeg Lake Cree Nation in Saskatchewan. This tiny com­mu­ni­ty (only 367 peo­ple live on the reserve) has a remark­able mil­i­tary his­to­ry. 56 of its youth served in the armed forces, includ­ing sev­en women, most of them named Greyeyes, Arcand or Lafond. Mary Greyeyes joined about the same time that my moth­er joined the Air Force. Muskeg Lake Cree have fought in Europe, Korea, and Afghanistan. Muskeg Lake is also the birth­place of the bal­let dancer, chore­o­g­ra­ph­er and film actor Michael Greyeyes.

Mary returned to Cana­da after fin­ish­ing her ser­vice in 1946, mar­ried, and made a career as an indus­tri­al seam­stress in Van­cou­ver. She died in 2011. The oth­er par­tic­i­pant in the staged pho­to was Har­ry Ball, a Cree from Piapot First Nation, who was a World War I vet­er­an. His Plains Chief regalia was scrounged up on that reserve, where the pho­to was taken.

Pho­tos of CWACS in action. Many were involved in dan­ger­ous work. They were not just clerk-typ­ists and tea-brewers:

18-05-31 BLOG 2 CWACs18-05-31 BLOG 4 CWACS

18-05-31 BLOG 5 CWACSe3b2dff99d6d933a4e4a9ac9bfeb1fd4

FILMSAPRIL 2018

(Spiel­berg 1981) Raiders of the Lost Ark
(Wilder 1954) Killers from Space
(Trelfer 2017) Dark Cor­ners Review: (38) Killers from Space
(Reit­man 1984) Ghostbusters
Read more »

First-time listening for April 2018

25061. (John Dun­sta­ple) Bea­ta Mater à 3
25062. (Giuappe Sam­mar­ti­ni) Recorder Con­cer­to in F
25063. (Bruce Kurnow) Sky Passage
25064. (Ken John­son) The Nat­ur­al Piano
Read more »

READINGAPRIL 2018

23849. (Pet­ros C. Benias, et al) Struc­ture and Dis­tri­b­u­tion of an Unrec­og­nized Inter­sti­tium in 
. . . . . Human Tis­sues [arti­cle]
23850. (Mark Bourie) Flim Flam ― Canada’s Great­est Frauds, Scams, and Con Artists
23851. (Maciej T. Kra­j­carz, Mag­dale­na Kra­j­carz & Hervé Bocherens) Collagen-to-collagen 
. . . . . Prey-preda­tor Iso­topic Enrich­ment {Δ 13 C, Δ 15 N} in Ter­res­tri­al Mam­mals ― A 
. . . . . Case Study of a Sub­fos­sil Red Fox Den [arti­cle]
Read more »

Rough Guide to the Music of the Indian Ocean

18-04-14 LISTN Rough Guide to the Music of the Indian Ocean

The ven­er­a­ble René Lacaille

There is a Mau­rit­ian restau­rant in Toron­to (there used to be two). Can you pic­ture Mau­rit­ian food? Prob­a­bly not. Few places sound more exot­ic and out-of-the-way. But Mau­ri­tius was a key point on the sea lanes of the British Empire. A for­mer British colony with a pop­u­la­tion speak­ing a French patois, but descend­ed from South Asians, Africans, Por­tuguese, Dutch, Arabs, and what­ever else wan­dered by, Mau­ri­tius pro­vides a sophis­ti­cated, cos­mopoli­tan cui­sine. Very tasty. Much the same can be said of the music.

But there is not just Mau­rit­ian music to lis­ten to. There is Réu­nion, an over­seas départe­ment of France, set­tled by Africans, Chi­nese, Malays, and Tamils. There are the Islam­ic Comoros, and the close­ly relat­ed French pos­ses­sion of May­otte. There is the Repub­lic of the Sey­chelles, large­ly Catholic, though for­merly a British colony, and the most indebt­ed coun­try, per capi­ta, in the world. There is tiny Rodrigues. And final­ly, there is the huge and pop­u­lous island of Mada­gas­car, whose cul­ture and lan­guage come orig­i­nally from Bor­neo, half-way around the world from them. The diver­sity of the nations at the west­ern end of the Indi­an Ocean pro­duces a delight­ful vari­ety of music. The per­form­ers in this col­lec­tion include Tari­ka, Feo-Gasy, Ricky Randim­biari­son, Jean-Noël, and Lego from Mada­gas­car; Denis Azor, and Kaya from Mau­ri­tius; Danyel Ward, Françoise Guim­bert, Baster, Tam-Tam Des Cools from Réu­nion; Kaskav­el from Rodrigues; M’Toro Chamou er les Watoro from May­otte; Belle Lumière from Comoros; Sey­chelles String Band and Sey­chelles All Stars; and even a band from Zanz­ibar (Cul­ture Music Club), which is part of Tan­zanyia, but an off­shore island. But if there is any­one who could be called a big star, it is René Lacaille, the mas­ter of the spicy séga rhythms of Réu­nion, here per­form­ing with Amer­i­can gui­tarist Bob Broz­man. Lacaille is well known in the French music scene, and has suc­cess­fully toured here in Canada.

Rough Guide com­pi­la­tions are always well cho­sen. It is unlike­ly that you will come across most of the this mate­r­ial, even in a well-stocked “world music” store. The music is most­ly upbeat and dance­able. After Lacaille, I was most drawn to the Mala­gasy musi­cians, espe­cially Feo-Gasy, but it would be hard to choose favourites. All the bands are good.

Second Meditation on Democracy [written Monday, August 7, 2007] REPUBLISHED

https _s-media-cache-ak0.pinimg.com_736x_ee_59_33_ee593300e425c02784549e0228c025e1In the begin­ning years of this blog, I pub­lished a series of arti­cles called “Med­i­ta­tions on Democ­racy and Dic­ta­tor­ship” which are still reg­u­larly read today, and have had some influ­ence. They still elic­it inquiries from remote cor­ners of the globe. They are now buried in the back pages of the blog, so I’m mov­ing them up the chrono­log­i­cal counter so they can have anoth­er round of vis­i­bil­ity, espe­cially (I hope) with younger read­ers. I am re-post­ing them in their orig­i­nal sequence over part of 2018. Some ref­er­ences in these “med­i­ta­tions” will date them to 2007–2008, when they were writ­ten. But I will leave them un-retouched, though I may occa­sion­ally append some ret­ro­spec­tive notes. Most­ly, they deal with abstract issues that do not need updating.


14-03-18 BLOG SECOND MEDITATION ON DEMOCRACY

Þingvel­lir, the out­door site of the medieval Ice­landic elect­ed par­lia­ment. Þingvel­lir, the out­door site of the medieval Ice­landic elect­ed parliament.

Civ­i­liza­tion is the process in which one grad­u­al­ly increas­es the num­ber of peo­ple includ­ed in the term ‘we’ or ‘us’ and at the same time decreas­es those labeled ‘you’ or ‘them’ until that cat­e­go­ry has no one left in it.” — Howard Win­ters, an Amer­i­can archae­ol­o­gist who stud­ied ancient set­tle­ment and trade pat­terns [quot­ed by Anne-Marie Cantwell in Howard Dal­ton Win­ters: In Memo­ri­am]

“Voice or no voice, the peo­ple can always be brought to the bid­ding of the lead­ers. That is easy. All you have to do is to tell them they are being attacked, and denounce the paci­fists for lack of patri­o­tism and expos­ing the coun­try to dan­ger. It works the same in any coun­try.” — Her­mann Wil­helm Göring, sec­ond in com­mand to Adolf Hitler. Read more »