Image of the month: You can’t have too many freckles.
FILMS – MAY 2018
(Yeaworth 1958) The Blob
(Crossland 2010) Murdoch Mysteries: Ep.30 ― Rich Boy, Poor Boy
(Meza-León 2017) Rick and Morty: Ep.30 ― The ABC’s of Beth
(Dein 1960) The Leech Woman [Mystery Science Theatre version]
(May 1976) Mikey and Nicky
(Berke 1958) The Lost Missile
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First-time listening for May 2018
25081. (Arthur Sullivan) Suite from the Incidental Music to The Merry Wives of Windsor
25082. (Afghan Whigs) Big Top Halloween
25083. (Gioacchino Rossini) Armida [complete opera; d. Serafin; Callas, Albanese, Filippeschi]
25084. (Sleater-Kinney) The Hot Rock
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READING — MAY 2018
23908. (Judea Pearl) Causality ― Models, Reasoning, and Inference [2nd ed.]
23909. (Chris Loendorf, David Jacobs & Glen E. Rice) Petroglyphs, Grinding Slicks, and
. . . . . Cupules of the Rock Island Comples: U:8:3e92/862 [article]
23910. (Steve Muhlberger) [in blog Muhlberger’s World History] When Does Anyone Ever
. . . . . Appologize Like This? [article]
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Third Meditation on Democracy [written Saturday, August 18, 2007] REPUBLISHED
In the beginning years of this blog, I published a series of articles called “Meditations on Democracy and Dictatorship” which are still regularly read today, and have had some influence. They still elicit inquiries from remote corners of the globe. They are now buried in the back pages of the blog, so I’m moving them up the chronological counter so they can have another round of visibility, especially (I hope) with younger readers. I am re-posting them in their original sequence over part of 2018. Some references in these “meditations” will date them to 2007–2008, when they were written. But I will leave them un-retouched, though I may occasionally append some retrospective notes. Mostly, they deal with abstract issues that do not need updating.

A convivial gathering of men and women in ancient Pakistan, during the Gandharan era, a time of intellectual and artistic synthesis. Gandharan art, drama and philosophy drew on influences from India, Persia and Greece.
Western Europe, and lands culturally derived from it, have made some relatively successful approximations of democracy and civil society, and combined them with noticeable prosperity. People both inside and outside this favoured zone wonder why, and they have often sought the answer in two particular areas: religious traditions, and the dramatic intellectual era called “the Enlightenment”. As someone who has written about the universal aspects of democracy, I’ve often felt some annoyance at what I consider parochial views of history, and dubious ideas of causality. I feel great sympathy for people outside the favoured zone, who are hopeful that they can have a democratic future, but are discomfited by the “second-banana” status that it seems to imply for their cultural heritage. This is especially true in the Islamic world, where past cultural glories and present embarrassments combine to make the search for democratic reform a touchy subject. I think that an excessively cartoonish view of the Enlightenment, and of the relationship between religion and democracy, is part of the problem. Read more »
Image of the Month: Canadian Women’s Army Corps posed photo of Mary Greyeyes and Harry Ball, 1942.
This photograph hung for decades in the National War Museum in Ottawa with its subjects labeled “unidentified”, until Mary’s daughter-in-law learned of its existence in 1995. The photo was taken to encourage more women to join the army, and its staged “Indian blessing” proving popular, it was widely reprinted during the war, then forgotten.
Mary Greyeyes was from Muskeg Lake Cree Nation in Saskatchewan. This tiny community (only 367 people live on the reserve) has a remarkable military history. 56 of its youth served in the armed forces, including seven women, most of them named Greyeyes, Arcand or Lafond. Mary Greyeyes joined about the same time that my mother joined the Air Force. Muskeg Lake Cree have fought in Europe, Korea, and Afghanistan. Muskeg Lake is also the birthplace of the ballet dancer, choreographer and film actor Michael Greyeyes.
Mary returned to Canada after finishing her service in 1946, married, and made a career as an industrial seamstress in Vancouver. She died in 2011. The other participant in the staged photo was Harry Ball, a Cree from Piapot First Nation, who was a World War I veteran. His Plains Chief regalia was scrounged up on that reserve, where the photo was taken.
Photos of CWACS in action. Many were involved in dangerous work. They were not just clerk-typists and tea-brewers:
FILMS – APRIL 2018
(Spielberg 1981) Raiders of the Lost Ark
(Wilder 1954) Killers from Space
(Trelfer 2017) Dark Corners Review: (38) Killers from Space
(Reitman 1984) Ghostbusters
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First-time listening for April 2018
25061. (John Dunstaple) Beata Mater à 3
25062. (Giuappe Sammartini) Recorder Concerto in F
25063. (Bruce Kurnow) Sky Passage
25064. (Ken Johnson) The Natural Piano
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READING — APRIL 2018
23849. (Petros C. Benias, et al) Structure and Distribution of an Unrecognized Interstitium in
. . . . . Human Tissues [article]
23850. (Mark Bourie) Flim Flam ― Canada’s Greatest Frauds, Scams, and Con Artists
23851. (Maciej T. Krajcarz, Magdalena Krajcarz & Hervé Bocherens) Collagen-to-collagen
. . . . . Prey-predator Isotopic Enrichment {Δ 13 C, Δ 15 N} in Terrestrial Mammals ― A
. . . . . Case Study of a Subfossil Red Fox Den [article]
Read more »
Rough Guide to the Music of the Indian Ocean
There is a Mauritian restaurant in Toronto (there used to be two). Can you picture Mauritian food? Probably not. Few places sound more exotic and out-of-the-way. But Mauritius was a key point on the sea lanes of the British Empire. A former British colony with a population speaking a French patois, but descended from South Asians, Africans, Portuguese, Dutch, Arabs, and whatever else wandered by, Mauritius provides a sophisticated, cosmopolitan cuisine. Very tasty. Much the same can be said of the music.
But there is not just Mauritian music to listen to. There is Réunion, an overseas département of France, settled by Africans, Chinese, Malays, and Tamils. There are the Islamic Comoros, and the closely related French possession of Mayotte. There is the Republic of the Seychelles, largely Catholic, though formerly a British colony, and the most indebted country, per capita, in the world. There is tiny Rodrigues. And finally, there is the huge and populous island of Madagascar, whose culture and language come originally from Borneo, half-way around the world from them. The diversity of the nations at the western end of the Indian Ocean produces a delightful variety of music. The performers in this collection include Tarika, Feo-Gasy, Ricky Randimbiarison, Jean-Noël, and Lego from Madagascar; Denis Azor, and Kaya from Mauritius; Danyel Ward, Françoise Guimbert, Baster, Tam-Tam Des Cools from Réunion; Kaskavel from Rodrigues; M’Toro Chamou er les Watoro from Mayotte; Belle Lumière from Comoros; Seychelles String Band and Seychelles All Stars; and even a band from Zanzibar (Culture Music Club), which is part of Tanzanyia, but an offshore island. But if there is anyone who could be called a big star, it is René Lacaille, the master of the spicy séga rhythms of Réunion, here performing with American guitarist Bob Brozman. Lacaille is well known in the French music scene, and has successfully toured here in Canada.
Rough Guide compilations are always well chosen. It is unlikely that you will come across most of the this material, even in a well-stocked “world music” store. The music is mostly upbeat and danceable. After Lacaille, I was most drawn to the Malagasy musicians, especially Feo-Gasy, but it would be hard to choose favourites. All the bands are good.





