Tame Impala

13-07-31 LISTENING Tame ImpalaI like this band from Perth, West­ern Aus­tralia, which pro­duces a clever update of six­ties psy­che­delia. I pos­sess their first EP, and first two stu­dio albums, Inner­s­peak­er(2010) and Loner­ism(2011). The psy­che­del­ic sound is now much mis­un­der­stood — lis­ten­ers today con­fuse it with glam-rock, ear­ly heavy met­al, and oth­er trends which were dis­tinct back in the six­ties and sev­en­ties. They even looklike psy­che­del­ic bands actu­al­lydid, rather than the car­toon hip­pies imag­ined by the media. I think this band comes much clos­er to the intro­spec­tive, dream­like qual­i­ty that musi­cians back then achieved after drop­ping acid while camp­ing in the desert, or some such inspi­ra­tion. It’s a lit­tle more cal­cu­lat­ed and tech­no­log­i­cal­ly hip, but it’s at least in the same ball­park. There are plen­ty of mem­o­rable songs, with dis­tinct mood and char­ac­ter, in their cor­pus, so far: “Skele­ton Tiger” and “Half Full of Glass” on the EP; “Soli­tude Is Bliss”, “Lucid­i­ty”, “Expec­ta­tion” and “Why Won’t You Make Up Your Mind?” on Inner­s­peak­er; “Ele­phant” and “Feels Like We Only Go Back­wards” on Loner­ism. All three records are good, but Inner­s­peak­erappeals to me most. I can’t lis­ten to it with­out feel­ing like I’m wak­ing up on an emp­ty West­ern Aus­tralia surf­ing beach, after a night of hard par­ty­ing, with a philo­soph­i­cal twin­kle in my eye. Loner­ismis gloomi­er, with Aussie inno­cence shift­ing into Euro­pean artfulness.

Thursday, July 18, 2013 — Steve Muhlberger on “Democracy in Trouble”

A fine, suc­cinct post on the cur­rent dys­func­tion­al state of democ­ra­cyin both Cana­da and the Unit­ed States.

sam­ple:

Indeed an even more impor­tant prin­ci­ple has been lost track of in just the last few years. That is the idea that the Prime Min­is­ter and his cab­i­net only hold office when they can com­mand the con­fi­dence of the House of Com­mons. Remem­ber when Steven Harp­er was held in con­tempt of Par­lia­ment by major­i­ty of the mem­bers? And the Gov­er­nor Gen­er­al let him get away with ignor­ing this and treat­ing it as mere­ly a par­ti­san stunt? One can have a cer­tain amount of sym­pa­thy for the Gov­er­nor Gen­er­al who prob­a­bly felt that if she fired Harp­er instead of let­ting him pro­rogue Par­lia­ment, she would enjoy no sup­port what­so­ev­er in the polit­i­cal class. She was right, but right here the Cana­di­an Con­sti­tu­tion broke down, and few peo­ple noticed or at least took it seriously.

Wednesday, July 17, 2013 — Tim Burton Predicted Toronto’s Fate in 1992

13-07-17 BLOG Mayor Penguin

When Rob Ford was elect­ed May­or of Toron­to in 2010, I felt no hes­i­ta­tion in pre­dict­ing that he would unleash a tidal wave of chaos, incom­pe­tence and cor­rup­tion on our fair city. His type of pho­ny-baloney “pop­ulism” was noth­ing new to me, and the results pre­dictable. My eval­u­a­tion has been con­firmed a thou­sand times over.

This evening, I was watch­ing Tim Bur­ton’s sec­ond Bat­man film, Bat­man Returns(1992), and was in stitch­es over the obvi­ous resem­blance between Ford’s cam­paign and per­son­al­i­ty, and the Pen­guin, as por­trayed by Dan­ny DeVi­to. The Pen­guin runs for may­or of Gotham City on pret­ty much the same plat­form, and his phys­i­cal resem­blance to Ford makes it all the more delight­ful. Think­ing I might find a good still from the film on the inter­net to illus­trate my point, I dis­cov­ered that many oth­er peo­ple had made the same con­nec­tion. The above image was all over the web. Kudos to the anony­mous humourist who cre­at­ed it.

Umekichi — The Voice of the Geisha

13-07-06 LISTENING UmekichiI lis­tened to this album while watch­ing one of Yasu­jirō Ozu’s silent films, Pass­ing Fan­cy [出来ごころ; Dekigoko­ro] (1933), after a mas­sive sushi lunch. Ume­kichi is the per­form­ing name of Okaya­ma Kurashi­ki, a pop/folk musi­cian who sings and plays shamisen. It seems that she pokes fun at both Japan’s ephemer­al pop music and the clas­si­cal tra­di­tion by effort­less­ly blend­ing the two. This, appar­ent­ly, has not been tak­en well by Japan­ese folk­lorists, for whom every dit­ty about cher­ry blos­soms is sanc­ti­fied. The play­ful sar­casm comes across to me in her voice, though of course I can’t under­stand a word of it. For me, it’s just one more ten­ta­tive lit­tle for­ay into Japan’s immense­ly com­plex and thor­ough­ly con­fus­ing pop­u­lar culture.

Image of the month: The Space Willies

13-07-01 BLOG The Space WilliesAn Ace Dou­ble cov­er from 1971, a typ­i­cal­ly imp­ish one by artist Kel­ly Freas. This is ACE DOUBLE 77785, a reprint with new cov­er art of D‑315 pub­lished in 1958. By this time, ACE Dou­bles had switched to the “tall” for­mat to con­form to stan­dard paper­back racks. ACE Dou­bles had two books bound togeth­er, each upside down in rela­tion to the oth­er. In this case, both sides were books by Eric Frank Rus­sell (the oth­er one was a short sto­ry col­lec­tion called Six Worlds Yon­der). Rus­sell was British, but his style was con­vinc­ing­ly Amer­i­can, and few read­ers of Amer­i­can SF mag­a­zines knew this. In some ways, he was sim­i­lar to Clif­ford Simak, but with a more satir­ic tone. As ear­ly as 1941, Rus­sell was crew­ing his future space ships with mul­ti-racial char­ac­ters. One of the ear­li­est Sci­ence Fic­tion sto­ries that had an intense emo­tion­al affect on me was his Dear Dev­il, which I read as a small child.

FILMS – JUNE 2013

(Winch­combe 2012) Orkney’s Stone Age Tem­ple
(Grif­fith 1909) A Cor­ner in Wheat
(Cas­tle 1963) Zotz!
(Cline 1941) Nev­er Give a Suck­er an Even Break Read more »

First-time listening for June, 2013

22269. (James Brown) Great­est Hits
22270. (Drown­ing Pool) Desen­si­tized
22271. (Philip Glass & Allen Gins­berg) Hydro­gen Juke­box
Read more »

READING – JUNE 2013

13-06-30 READING Cory Doctorow - Pirate Cinema

20973. (Erik R. Kan­del) In Search of Mem­o­ry: The Emer­gence of a New Sci­ence of Mind
20974. (Steve Muhlberg­er) [in blog Muhlberg­ers’ World His­to­ry] George R. R. Mar­tin, Mas­ter
. . . . . Sto­ry­teller [arti­cle]
Read more »

“The Hunters Who Owned Themselves” Translated into Japanese

13-06-30 BLOG The Hunters Who Owned Themselves Translated into JapaneseThere is now a Japan­ese edi­tion of The Secret His­to­ry of Democ­ra­cy. I am most curi­ous to know, but will prob­a­bly nev­er know, how my prose in “The Hunters Who Owned Them­selves” reads in Japan­ese trans­la­tion, or how the mix­ture of Eng­lish, French, Michif and Cree ter­mi­nol­o­gy was han­dled. Unfor­tu­nate­ly, I do not yet pos­sess the pub­li­ca­tion data… only that a Japan­ese edi­tion has exist­ed for sev­er­al months. Per­haps some Japan­ese read­er who is flu­ent in Eng­lish will report to me on this mat­ter. Read more »

Bombay Bicycle Club

Bombay Bycicle Club

The first I heard of Bom­bay Bicy­cle Club was the song “How Can You Swal­low So Much Sleep?” from their third album A Dif­fer­ent Kind of Fix(2011), which got some play here in Cana­da. But oth­er songs I heard, from an ear­li­er album, didn’t sound very sim­i­lar, and I didn’t con­nect them in my head until, search­ing for the EP ver­sion of “How Can You…”, I acquired all three of their albums. We are in an age in which musi­cians are much less trib­al than they used to be. The bands that make the strongest impres­sion today tend to be eclec­tic, draw­ing on many sources for their style, and chang­ing their style as the mood suits them. They can­not eas­i­ly be clas­si­fied. This Lon­don band exem­pli­fies the trend. A Dif­fer­ent Kind of Fixis Read more »